Five international academies call for more investment in language education, to increase access to and diversity of languages spoken in the respective academies’ national borders, including Indigenous languages.

In a daylong symposium, the American Academy's Commission on the Arts explored the integration of arts, humanities, and STEM in higher education.

While U.S. colleges struggle against broad disinvestment, institutions of higher education in many parts of the world have imagined ambitious new models of twenty-first-century education. From world-class public research universities to online and binational start-ups, the landscape of global higher education is shaped by ongoing experimentation and change. What have these approaches taught us? And what lessons can we apply to institutions in the United States?

In today’s world—characterized by great-power competition and ongoing crises in Europe, East Asia, and the Middle East—missile defense, previously a Cold War concern, has resurfaced as a prominent issue. State and non-state actors are relying on missile capabilities to achieve their military objectives. This article explores how missile strikes and missile threats are shaping new and ongoing global tensions.

Select Prizes and Awards to Members

Helen Hardacre describes Shinto festivals and a return to darkness.

On October 7, 2017, the American Academy inducted its 237th class of Members at a ceremony held in Cambridge, Massachusetts. The ceremony included presentations by five new Members: Ursula Burns, James P. Allison, Heather K. Gerken, Jane Mayer, and Gerald Chan.

In 2015, the American Musicological Society gave the Noah Greenberg Award to musicologist Jessie Ann Owens and the vocal ensemble Blue Heron, directed by Scott Metcalfe, for their project to produce the world premiere recording of Cipriano de Rore’s landmark I madrigali a cinque voci (Venice, 1542). On May 3, 2018, Owens spoke at the Academy about Cipriano’s music; following her presentation, Blue Heron performed a selection of madrigals drawn from his 1542 publication.

New report will be featured at the nation’s preeminent policy forum for state and federal energy policymakers, the 2012 National Electricity Forum.

When forced to decide between a career in biochemistry or psychology in the spring of 1950, Jerome Kagan chose the latter because of a gnawing puzzlement provoked by the observation that apparently sane people living in the same community held different beliefs about love, honesty, and whom was entitled to respect and whom to scorn.

On November 7, esteemed panelists Samuel Kortum, Paul Kennedy, Ian Shapiro, Jing Tsu, and Arne Westad were tasked with answering two monumental questions: can we fix the broken global order, and if so, how? Frances McCall Rosenbluth moderated the event, organized by the Academy's New Haven Program Committee.

A new publication from the American Academy of Arts & Sciences and the Russian Academy of Sciences is released. Its purpose is to inform policymakers who will shape the relative safety or danger of the future international nuclear environment.

Academy members and guests attended a matinee performance of Robert Glaudini's The Poison Tree, in its world premiere at the Mark Taper Forum. After the show, they adjourned to the Dorothy Chandler Pavilion for dinner and the Stated Meeting, presided over by Western Center Cochair Jack W. Peltason.

Academy projects in Science, Engineering, and Technology seek to strengthen the capacity of science, engineering, and technology to improve the common good. Leveraging the diverse expertise of its members and a wide network of external specialists, the Academy conducts in-depth studies to assess the implications of scientific and technological progress. These studies inform actionable policy recommendations for stakeholders across government, academia, the nonprofit sector, and industry.

On March 30, 2016, the Academy hosted a program on “The Poetry of Walt Whitman and Allen Ginsberg for Baritone and String Quartet” that featured a presentation by Bonnie Costello and a performance by David Kravitz, baritone, and the Arneis Quartet.