Artists can help us emerge and heal from the global pandemic — but first we have to create more systems that support them and their work. Laura Zabel, member of the American Academy’s Commission on the Arts, explains how.

As the nation grappled with the COVID-19 pandemic, venues closed, employment plummeted, and uncertainty affected every facet of the cultural field. Simultaneously, the renewed racial justice reckoning that swept the country last summer spurred an assessment of inequities in the arts. Leaders of arts organizations were confronted by difficult decisions and significant opportunities as they navigated these crises and attempted to support both the arts and artists.

In collaboration with the Ash Center at the Harvard Kennedy School, the Academy hosted a discussion on “Redistricting and Representation,” which included presentations by Gary King, Jamal Greene, and Moon Duchin. Chief Judge Patti Saris moderated the program.

What do Americans think about the arts and artists? A recent national survey by the American Academy offers a few answers.

Academy’s Commission on the Arts issues Art is Work: Policies to Support Creative Workers, recognizing the importance of artists to the national economy

To celebrate the arts, artists, and the work of the Academy’s Commission on the Arts, Stephen Colbert, host of “The Late Show with Stephen Colbert,” talked with Commission Cochairs John Lithgow, Deborah Rutter, and Natasha Trethewey. The program included poetry, music, and a discussion of the recommendations developed by the Commission to elevate the arts, support artists, and promote arts education in America. The event also introduced Mixtape, an online collection of arts experiences that features members of the Commission and members of the Academy.

Over the past three years, the American Academy’s Commission on the Arts has developed a rich and diverse array of materials to elevate and promote arts education, the creative workforce, and the arts generally. Drawing on the expertise of artists, scholars, activists, and leaders of a variety of artistic institutions, the Commission developed two reports and a collection of artistic expressions.

On October 30, 2018, Kenneth Prewitt spoke about the 2020 Census at a gathering of Academy members and guests at the House of the Academy in Cambridge, Massachusetts.

From visual arts to jazz, theater to poetry, the opening program of the Academy’s 2019 Induction weekend celebrated the arts and humanities. The event included a video featuring artist Mark Bradford; a performance by composer, pianist, and singer/songwriter Patricia Barber; remarks about the power and importance of the performing arts from theater director and scholar Harry J. Elam, Jr.; a reading by playwright Donald Margulies from his play Sight Unseen; and remarks and readings by poet, writer, and foundation leader Elizabeth Alexander.

Is jazz a relic of the past, or does it continue to have meaning and influence for today’s artists and audiences? And while it may still be present, does it still matter? The Spring 2019 issue of Dædalus, “Why Jazz Still Matters,” explores that very question.

Jazz: it has been called both cool and hot, earthy and avant-garde, intellectual and primitive. It is improvisational music touted for the freedom it permits its players, but in its heyday was largely composed and tightly arranged. It tells a story about race in America: not only because African American musicians were so central in its creation and African American audiences so important in their creative responses to it, but because whites played such a dominant role in its dissemination through records and performance venues and its ownership as intellectual and artistic property. But is jazz a relic of the past, or does it continue to have meaning and influence for today’s artists and audiences? And while it may still be present, does it still matter?

A Reuters article about the publication "The Case for Supreme Court Term Limits" - issued by the Academy's bipartisan working group - quotes Professor Akhil Amar and Judge Patti Saris, and cites U.S. Circuit Judge Diane Wood and Professor Charles Fried, all of whom are members of the working group and the Academy.

A Forbes article about "The Case for Supreme Court Term Limits" - a publication issued by the Academy's bipartisan working group - cites U.S. Circuit Judge Diane Wood and Professor Charles Fried who are members of the working group and the Academy.

2110th Stated Meeting | January 18, 2023 | Virtual Event | Morton L. Mandel Conversation

Academy members and guests attended a matinee performance of Robert Glaudini's The Poison Tree, in its world premiere at the Mark Taper Forum. After the show, they adjourned to the Dorothy Chandler Pavilion for dinner and the Stated Meeting, presided over by Western Center Cochair Jack W. Peltason.

Congressman Jim Himes (D-CT) and Congressman Bryan Steil (R-WI) were the featured speakers when the Academy hosted a bipartisan conversation about the economy and the future of democracy. They are the  chairman and ranking member, respectively, of the U.S. House Select Committee on Economic Disparity and Fairness in Growth. The event - now available for viewing - was an opportunity to hear how members of Congress think about economic issues—from trade wars and globalization to inflation and its impact on the day-to-day lives of their constituents.

The 236th class of members includes novelist Colm Tóibín, La Opinión Publisher and CEO Monica Lozano, jazz saxophonist Wayne Shorter, former Botswanan President Festus Mogae, and autism author and spokesperson Temple Grandin

The 237th class of members includes philanthropist and singer-songwriter John Legend, award-winning actress Carol Burnett, chairman of the board of Xerox Corporation Ursula Burns, mathematician Maryam Mirzakhani, immunologist James P. Allison, and writer Chimamanda Ngozi Adichie.